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X-WR-CALDESC:Events for Compagnie Théatre Créole
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TZID:America/Montreal
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BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260327T190000
DTEND;TZID=America/Montreal:20260327T210000
DTSTAMP:20260513T141226
CREATED:20260307T024203Z
LAST-MODIFIED:20260326T085704Z
UID:14300-1774638000-1774645200@compagnietheatrecreole.ca
SUMMARY:General Baron-Lacroix by Franck Fouché
DESCRIPTION:General Baron-la-croix plunges us into a profound reflection on power\, the human condition and heroism.\n\n\nGénéral Baron-la-croix plunges us into a profound reflection on power\, the human condition and heroism. Franck Fouché invites us\, through the character of the chief/general\, to explore the intricacies of war and peace\, while questioning notions of sacrifice and glory.  \nText by : Franck Fouché \nDirected by : Ralph Civil \nPerformed by : Réginald Germain\, Jolove Joseph Lamarre\, Jean Marc Joseph\, Kelytha Charles\, Ericka Julie Jean Louis and Roldji Colas.
URL:https://compagnietheatrecreole.ca/en/evenements/general-baron-lacroix-by-franck-fouche/
LOCATION:CIC – Sylvain-Lelièvre Hall\, 2701 Rue Nicolet\, Montréal\, QC\, H1X 2A2\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/03/4f790bdd1b708449b8003d3daa2f2b0b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260326T190000
DTEND;TZID=America/Montreal:20260326T203000
DTSTAMP:20260513T141226
CREATED:20260204T182832Z
LAST-MODIFIED:20260326T085700Z
UID:14273-1774551600-1774557000@compagnietheatrecreole.ca
SUMMARY:The ten black men
DESCRIPTION:Reading of “Les dix hommes noirs” by Étzer Vilaire by Collectif Mise au point with Rodlin Christolin\n\n\nIn Les Dix Hommes noirs\, Étzer Vilaire questions the human condition head-on. \nthrough ten male figures confronted with social violence\, feelings of erasure and the need for dignity. Each embodies a way of fighting\, of holding on\, of staying alive in a context marked by exclusion and post-colonial heritage. This performance-reading takes the form of a narrative that draws on the polyphonic force of the work. Each man becomes a singular voice\, the bearer of an experience\, an inner conflict\, a way of resisting or resigning. Together\, they form a fragile yet powerful chorus\, revealing the tensions between identity\, survival and hope in a society that marginalizes and assigns.     \nCollectif mise au point
URL:https://compagnietheatrecreole.ca/en/evenements/the-ten-black-men/
LOCATION:Théâtre Créole Company\, 5322 Jean-Talon Street East\, Montréal\, QC\, H1S 1L3\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/02/666699f89a0e62a1850ae967ede0d05b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260322T190000
DTEND;TZID=America/Montreal:20260322T210000
DTSTAMP:20260513T141226
CREATED:20260202T015544Z
LAST-MODIFIED:20260317T231331Z
UID:14272-1774206000-1774213200@compagnietheatrecreole.ca
SUMMARY:Concert Tribute to Ansy Derose
DESCRIPTION:A tribute concert to Ansy Derose with professional musicians conducted by maestro Ephraim Guerrilus (Tifa)\n\n\nThe Compagnie Théâtre Créole\, together with professional musicians from Montreal under the direction of maestro Ephraim Guerrilus and the beautiful voices of : Nixon Samis (Nèg mòn)\, Paul Elie Simon and Emmanuela Michel\, to offer a concert in honor of Ansy\, on Sunday\, March 22\, 2026 at Salle Mirella et Lino Saputo in Saint-Léonard. \nAnsy Desrose is not gone. He has simply left his voice to accompany us forever. His voice remains\, inhabiting our silences\, our struggles and our hopes.   \nTo sing Ansy is to remember. To remember is to make him live again.  \nTôt-ou-T’art
URL:https://compagnietheatrecreole.ca/en/evenements/concert-tribute-to-ansy-derose/
LOCATION:8370 Boulevard Lacordaire\, 8370 Boulevard Lacordaire\, Montréal\, QC\, H1R 3Y6\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/02/9264d9f5117294ee3840e39bb04b50f4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260321T190000
DTEND;TZID=America/Montreal:20260321T210000
DTSTAMP:20260513T141226
CREATED:20260202T015542Z
LAST-MODIFIED:20260317T231331Z
UID:14274-1774119600-1774126800@compagnietheatrecreole.ca
SUMMARY:Ida
DESCRIPTION:This show is our ultimate way of expressing homesickness\, and also to think of all the people who have disappeared\, cities burned and women lost.\n\n\n“Ida Ô Ida Ô Ida Ô Ida. Ida has always cradled me and the other man in me. And with her\, we experienced many crossings\, many oceans\, many hotel rooms\, many public squares\, many cane fields\, many escapades\, many hot nights. But the streets were always our favorite. What will the streets say when they know our country is surrounded by water but still can’t swim?” IDA is an interrupted\, sensitive song\, all voice and echo\, which paints a hallucinatory picture of its third island\, where man\, drawn into a spiral of self-destruction\, turns out to be the gravedigger of his own utopia. This text explains the story of a man who grew up in the neighborhoods of Port-au-Prince\, exploring almost every corner of the capital.  This sad\, desperate man\, who lived in Port-au-Prince with his wife\, used her as an alibi to talk about his country’s pain. He took the opportunity to denounce the behavior of our leaders\, who took advantage of their supremacy to plunder the state coffers while the majority of the population starved. Ida is a void in the heart of this despair in a city that is timidly disappearing\, where each of us has left our footprints\, our history\, our mad laughter and our most mysterious moments in life. Port-au-Prince\, Haiti’s capital\, now turned to fire and ashes. How many cities have disappeared like Port-au-Prince in bloody nights? This text was written by Guy Junior Régis and published in 2016. Was an X-ray of the city of Port-au-Prince and all those around it. Its staging has been presented several times in Port-au-Prince\, France with different actors.        Personally\, I presented this text as part of the Rencontres Littéraires en Haïti festival\, at the Deschapelles community library\, the Centre Culturel Maurice Cadet in Delmas and the Centre Culturel Jhon Blair in Jérémie. “I was young\, angry”\, he (Guy Régis Jr) recalls of Ida.  Yet the violent\, insalubrious Port-au-Prince he described at the age of 23\, where people starve and no longer think of dreaming\, would still be the Port-au-Prince of today in the eyes of this polymorphous 39-year-old artist. In Ida\, shouted rather than reflected\, he depicts\, in an incisive\, concise and violent style\, the destiny of a man whose love for a woman\, Ida\, fills him with hope in a country he no longer believes in. We’re in Port-au-Prince. An obscure city.    It’s still on your tongue\, Ida\, the word of hope that will rekindle the day in my life.   \nThis show is our ultimate way of expressing homesickness and also thinking of all the people lost\, towns burned and women lost. In the end\, it’s a way of saying that there’s still hope if we all pull together.  \nBell
URL:https://compagnietheatrecreole.ca/en/evenements/ida-2/
LOCATION:3800 R. Sherbrooke E\, 3800 Sherbrooke Street East\, Montréal\, QC\, H1X 2A2\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/02/34032c92b964fbcb1d60cc572da15077.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260320T190000
DTEND;TZID=America/Montreal:20260320T210000
DTSTAMP:20260513T141226
CREATED:20260202T015541Z
LAST-MODIFIED:20260317T231331Z
UID:14271-1774033200-1774040400@compagnietheatrecreole.ca
SUMMARY:Ida
DESCRIPTION:This show is our ultimate way of expressing homesickness\, and also to think of all the people who have disappeared\, cities burned and women lost.\n\n\n“Ida Ô Ida Ô Ida Ô Ida. Ida has always cradled me and the other man in me. And with her\, we experienced many crossings\, many oceans\, many hotel rooms\, many public squares\, many cane fields\, many escapades\, many hot nights. But the streets were always our favorite. What will the streets say when they know our country is surrounded by water but still can’t swim?” IDA is an interrupted\, sensitive song\, all voice and echo\, which paints a hallucinatory picture of its third island\, where man\, drawn into a spiral of self-destruction\, turns out to be the gravedigger of his own utopia. This text explains the story of a man who grew up in the neighborhoods of Port-au-Prince\, exploring almost every corner of the capital.  This sad\, desperate man\, who lived in Port-au-Prince with his wife\, used her as an alibi to talk about his country’s pain. He took the opportunity to denounce the behavior of our leaders\, who took advantage of their supremacy to plunder the state coffers while the majority of the population starved. Ida is a void in the heart of this despair in a city that is timidly disappearing\, where each of us has left our footprints\, our history\, our mad laughter and our most mysterious moments in life. Port-au-Prince\, Haiti’s capital\, now turned to fire and ashes. How many cities have disappeared like Port-au-Prince in bloody nights? This text was written by Guy Junior Régis and published in 2016. Was an X-ray of the city of Port-au-Prince and all those around it. Its staging has been presented several times in Port-au-Prince\, France with different actors.        Personally\, I presented this text as part of the Rencontres Littéraires en Haïti festival\, at the Deschapelles community library\, the Centre Culturel Maurice Cadet in Delmas and the Centre Culturel Jhon Blair in Jérémie. “I was young\, angry”\, he (Guy Régis Jr) recalls of Ida.  Yet the violent\, insalubrious Port-au-Prince he described at the age of 23\, where people starve and no longer think of dreaming\, would still be the Port-au-Prince of today in the eyes of this polymorphous 39-year-old artist. In Ida\, shouted rather than reflected\, he depicts\, in an incisive\, concise and violent style\, the destiny of a man whose love for a woman\, Ida\, fills him with hope in a country he no longer believes in. We’re in Port-au-Prince. An obscure city.    It’s still on your tongue\, Ida\, the word of hope that will rekindle the day in my life.   \nThis show is our ultimate way of expressing homesickness and also thinking of all the people lost\, towns burned and women lost. In the end\, it’s a way of saying that there’s still hope if we all pull together.  \nBell
URL:https://compagnietheatrecreole.ca/en/evenements/ida/
LOCATION:475 Boul. de Maisonneuve E\, 475 Boulevard de Maisonneuve East\, Montréal\, QC\, H2L 5C4\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/02/f2f0345109c82f6b50106c9cbe553c00.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260315T190000
DTEND;TZID=America/Montreal:20260315T210000
DTSTAMP:20260513T141226
CREATED:20260130T191001Z
LAST-MODIFIED:20260312T171825Z
UID:14266-1773601200-1773608400@compagnietheatrecreole.ca
SUMMARY:In Memoriam
DESCRIPTION:In Memoriam features a mother in dialogue with her daughter\, who died in the earthquake of January 12\, 2010.\n\n\nIn Memoriam features a mother in dialogue with her daughter\, who died in the earthquake of January 12\, 2010. Since then\, one question has pierced her: When did you die? It’s a sentence she’s never been able to put into words\, but finally utters\, breathless\, unable even to cry.  \n \nThe daughter\, who has returned from somewhere else\, remembers almost nothing. She asks for news\, seeks to understand\, and tries to bear her mother’s pain\, this frozen\, silent pain that has never found a way out.  \n \nThe dialogue is heavy\, hesitant\, shot through with broken memories\, silences and powerlessness. The mother\, consumed by solitude\, remains unresponsive. But at the heart of this suspended speech\, a discreet breath seeps in. A fragile hope that dares to say it may be time to start living again.    \n \nIn sharp language\, where every word seems carved from memory\, In Memoriam opens a breach in the silence of January 12. An attempt to speak the unspeakable\, to make room for what has never been said.  \nCie Bazou
URL:https://compagnietheatrecreole.ca/en/evenements/in-memoriam/
LOCATION:3800 R. Sherbrooke E\, 3800 Sherbrooke Street East\, Montréal\, QC\, H1X 2A2\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/01/82916dbb41e4e4d5344b5d019cba42dc.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260314T190000
DTEND;TZID=America/Montreal:20260314T210000
DTSTAMP:20260513T141226
CREATED:20260130T190959Z
LAST-MODIFIED:20260312T171824Z
UID:14268-1773514800-1773522000@compagnietheatrecreole.ca
SUMMARY:In Memoriam
DESCRIPTION:In Memoriam features a mother in dialogue with her daughter\, who died in the earthquake of January 12\, 2010.\n\n\nIn Memoriam features a mother in dialogue with her daughter\, who died in the earthquake of January 12\, 2010. Since then\, one question has pierced her: When did you die? It’s a sentence she’s never been able to put into words\, but finally utters\, breathless\, unable even to cry.  \nThe daughter\, who has returned from somewhere else\, remembers almost nothing. She asks for news\, seeks to understand\, and tries to bear her mother’s pain\, this frozen\, silent pain that has never found a way out.  \nThe dialogue is heavy\, hesitant\, shot through with broken memories\, silences and powerlessness. The mother\, consumed by solitude\, remains unresponsive. But at the heart of this suspended speech\, a discreet breath seeps in. A fragile hope that dares to say it may be time to start living again.    \nIn sharp language\, where every word seems carved from memory\, In Memoriam opens a breach in the silence of January 12. An attempt to speak the unspeakable\, to make room for what has never been said.  \nCie Bazou
URL:https://compagnietheatrecreole.ca/en/evenements/in-memoriam-2/
LOCATION:475 Boul. de Maisonneuve E\, 475 Boulevard de Maisonneuve East\, Montréal\, QC\, H2L 5C4\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/01/fb92400eeadababcc69e3faa8337ac6c.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260313T190000
DTEND;TZID=America/Montreal:20260313T203000
DTSTAMP:20260513T141226
CREATED:20260205T182521Z
LAST-MODIFIED:20260312T171823Z
UID:14267-1773428400-1773433800@compagnietheatrecreole.ca
SUMMARY:12th floor
DESCRIPTION:12e étage\, a text by Gary Victor\, directed by Ralph Civil and performed by Pierre Hector Nazon.\n\n\nPassion\, Love\, Madness\, a whole package like a rainbow bubble in Roger’s subconscious. \nComedian by profession in a country where this profession rhymes with MISERY\, but bitten by a \nStrong-tempered\, Roger believes he can make a success of his life through his profession. Barriers  \nHe’s passionate about theater and in love with Sophie\, a fastidious\, meticulous and mercantile woman. Passionate about theater and in love with Sophie\, a fastidious\, meticulous and mercantile woman\, Roger is also crazy about seeing another country\, a country where life is good for everyone.  \nThen\, one morning\, a patron of the arts\, whose identity he doesn’t know\, gives him the job of jumping from the \ntwelfth floor\, in a play\, for a fee of one million dollars. Roger  \nwould earn a million dollars for a single performance. Ironically\, he lives on the twelfth floor of an apartment.  \nThéâtre Créole Company
URL:https://compagnietheatrecreole.ca/en/evenements/12th-floor/
LOCATION:8370 Boulevard Lacordaire\, 8370 Boulevard Lacordaire\, Montréal\, QC\, H1R 3Y6\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/02/38c3c4877f679d69b0521870fa2d06c1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260312T190000
DTEND;TZID=America/Montreal:20260312T213000
DTSTAMP:20260513T141226
CREATED:20260305T174616Z
LAST-MODIFIED:20260312T171822Z
UID:14270-1773342000-1773351000@compagnietheatrecreole.ca
SUMMARY:Broken glass
DESCRIPTION:Verre cassé by Alain Mabanckou as part of the 8th edition of Fethécomnoirs\n\n\n”The ‘very horrific’ story of Crédit a voyagé\, a filthy Congolese bar\, is told here by one of its most assiduous customers\, Verre Cassé\, who has been entrusted by the owner with the task of immortalizing in a makeshift notebook the astonishing feats of the troupe of fantastic cripples who frequent it. In this metaphysical farce\, where the sublime mingles with the grotesque\, Alain Mabanckou\, with the rhythmic language and talent for irony that distinguish him from the younger generation of African writers\, presents us with a lively and delightful portrait of another African reality\, far removed from the ethnic tableaux of the moment.  \nThreshold
URL:https://compagnietheatrecreole.ca/en/evenements/broken-glass/
LOCATION:Théâtre Créole Company\, 5322 Jean-Talon Street East\, Montréal\, QC\, H1S 1L3\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/03/f2267c2f76a63f441f7ee3e7eca52709.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260308T190000
DTEND;TZID=America/Montreal:20260308T203000
DTSTAMP:20260513T141226
CREATED:20260216T194003Z
LAST-MODIFIED:20260307T024214Z
UID:14265-1772996400-1773001800@compagnietheatrecreole.ca
SUMMARY:For one evening
DESCRIPTION:An evening of humor with the Jean-Louis sisters\n\n\nFor one evening   \nNot a tour. \nNot a fixed format. \nNot stand-up as usual. \nFor one evening\, the rules change. \nTwo sisters on stage. \nSkits. \nGames. \nMoments that can never be repeated. \nHere\, anything can happen. \nWhat’s written can go wrong. \nThe unexpected becomes the best part of the evening. \nWe play. \nWe improvise. \nWe provoke each other a little. \nWe laugh a lot. \nIt’s a unique evening. \nA playground. \nA free space. \nPour un soir with Les Sœurs Jean-Louis. \nYou’ve come to laugh. \nYou stay for the unexpected. \nThe Jean-Louis sisters
URL:https://compagnietheatrecreole.ca/en/evenements/for-one-evening/
LOCATION:3800 R. Sherbrooke E\, 3800 Sherbrooke Street East\, Montréal\, QC\, H1X 2A2\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/02/5205a83407c2e4d5a3c1fa4baa502a14.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Montreal:20260307T190000
DTEND;TZID=America/Montreal:20260307T213000
DTSTAMP:20260513T141226
CREATED:20260208T202809Z
LAST-MODIFIED:20260308T001247Z
UID:14262-1772910000-1772919000@compagnietheatrecreole.ca
SUMMARY:Vibration de femmes
DESCRIPTION:Voices from yesterday and today to celebrate International Women’s Rights Day.\n\n\nAn intergenerational mix to mark International Women’s Rights Day. Barbara Guillaume’s demanding voice accompanied by the sweetness of the new generation\, Tamara Suffren\, all fire and brimstone\, who follows the line of classical music with the curves of the compass\, an Azaf who has proved herself in masterful interpretations of Haitian classics.  \nAn evening of positive vibes concocted by women for audiences of all kinds.
URL:https://compagnietheatrecreole.ca/en/evenements/vibration-de-femmes/
LOCATION:8370 Boulevard Lacordaire\, 8370 Boulevard Lacordaire\, Montréal\, QC\, H1R 3Y6\, Canada
ATTACH;FMTTYPE=image/jpeg:https://compagnietheatrecreole.ca/wp-content/uploads/2026/02/eb14486ab4094e11bbf216c3e2611c88.jpg
END:VEVENT
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